Warnings: minor character death, PTSD, Anxiety attacks, medical procedures/horror, graphic depictions of violent experiences, alcohol abuse (past), bad coping mechanisms, No ,relationships don’t magically solve issues.
Summary:
wildfire
noun [ C ] /ˈwaɪld.faɪr/
Definition: “ fire that is burning strongly and out of control on an area of grass or bushes in the countryside"
Oxygen, Heat and fuel, these three conditions allow a fire to develop with devastating folgen for nature and man.
A discarded cigarette, a small ember is enough to lay waste to wide areas of nature.
When someone throws such an ember towards Dr. Jack Morrison the consequences remain to be seen. One thing is clear, his mind is still stuck in arid climate, the fire just might burn too hot to salvage anything.
Features: Angela as a good friend, Sombra & Jesse as Wingmen and one Gabriel Reyes who is burning hotter than the sun.
I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.
I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled
I WONDER Pondered Voiced Wondered
OH, YEAH, WHOOPS Recalled Recited Remembered
SURPRISE BITCH Revealed
IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted
BITCHY Tattled Taunted Teased
Edit: People, I’m an English and creative writing double major in college; I understand that there’s nothing wrong with simply using “said.” This was just for fun, and it comes in handy when I need to add pizzazz.
fucking weirdos on this website: we dont change or erase billys character! we just make a few headcanons!
same fucking weirdos:
like??? who is that cos that aint billy lmao. yall know hes an abusive racist and hateful mf right? hes not a Soft Boy Boy who Doesnt Know How To Express His Gayness UwU hes just pure fucking trash. stop shipping abusive ships involving “attractive” white males just cos you love fetishizing gay relationships thanks
The first time it happens, sometime in mid January on an away game, Steve forgets his jacket on bus, and they’re standing outside after a flawless fucking victory, waiting for it to pull around. There’s sweat drying on his skin and in his hair, and the cold has bitten his face, his arms, his fingers red.
He stamps his feet. Rubs his arms. Tries to blow some damn heat back into his hands.
Tommy snorts at him. “You dumbass.”
“Shut up,” Steve huffs, jaw tight just to keep his teeth from chattering. “M’fucking freezing my damn balls off over here.”
The jacket that hits him in the face isn’t much more than their standard uniform windbreaker. Steve scrambles to catch it before it flops to the mud and mush of snow and ice at his feet.
He blinks as Billy shrugs his jean jacket on over his jersey. Billy’s not even looking at him.
“We’ve got another fucking game next week, Harrington. Get your fucking shit together. I’m not losing because you catch pneumonia.”
He hands it back when they climb into the bus without a word. Billy grunts and snatches it away.
***
The second time, Steve’s drunk. He’s drunk– and, okay, maybe a little high– and the house is too hot, way too hot, and Steve just needs air.
He stumbles out on his foal legs, catches himself on one of the pillars outside of Janet Kapeski’s house, and laughs as the world tilts. There’s a few people outside– someone’s drunk enough to be making snow angels in the fresh blanket on the front lawn– but no one pays Steve any mind.
There’s snow still falling and Steve’s still high off their latest win– championships, holy shit, they’re going into the finals– and the rest of the team is inside celebrating. He should be, too, but it’s still hard for him sometimes– to accept the good when there’s been so much bad.
Still, Steve smiles up at the sky. The clouds are low, reflecting street light, and the snow falls down in little flurries. He loves this time of year.
Tries to catch a snowflake on his tongue. Catches it in his hair and on his eyelashes, instead.
“What the fuck are you doing, Harrington?”
Steve jerks. Startles, really, because sometimes he still has nightmares about monsters and Billy Hargrove, and trips over his own feet as he turns.
He lands on his ass, hard, and grunts as the snow bleeds icy cold into his jeans. Billy squints at him, like he’s a bug or something he found on the bottom of his shoe, leaning against the wall by Janet’s front door, smoking, a hand tucked into his pocket to save it from the cold.
“It’s snowing,” Steve says, like it’s obvious, or maybe Billy is a little dumb, and shrugs as Billy cocks his head.
He’s got lipstick smeared by the corner of his mouth, and Steve thinks it’s the same shade Steve’s got pressed to his cheek; Carol is affectionate when she’s drunk, even if she’s still mad at Steve for yelling at her and ditching her and Tommy two autumns ago for a girl that broke his heart. Steve thinks pink is a funny color on Billy.
“You backwoods Indiana shitheads are all fucking crazy,” Billy says with a shake of his head.
Steve grins, and it’s maybe a little meaner than usual. “Can’t take the cold, Hargrove? Do they not have snow back on the Golden Coast?”
Billy snorts and flicks the dying ember of his cigarette away, shoves off the wall, and Steve’s a little too drunk to be intimidated as he idles down the front steps to stand in front of him. “We’ve got mountains, smartass. You’re the idiot out here shivering. Where’s your fucking coat?”
Steve thinks about arguing. Thinks about saying I’m fine, I’m not shivering, but when he checks his hands, he finds them shaking.
He blinks at his fingers and says, “huh.”
Billy rolls his eyes. Calls him an idiot. Shrugs out of his coat and tosses it in Steve’s lap.
“If you’re gonna sit out here like a dumbass, at least dress for it.” Billy sneers. “I don’t wanna catch whatever cold you get for being stupid.”
The coat smells like smoke and whatever god awful cologne Billy wears. Steve pulls it on anyways, still shaking a little, still sitting in the snow.
“Thanks, man.” Steve says, grinning up at him, because he’s always a little nicer when he’s drunk– even to assholes who’ve hit him over the head with dinner plates.
Billy frowns down at him.
“Whatever. Don’t mention it.”
And then he walks away, heading back into the party.
Steve doesn’t. Not when he finally ambles up. Not when he stumbles inside. Not when he downs whatever shot one of his teammates offers him. Not when he wakes up the next morning, dawn barely on the horizon, asleep on Janet’s couch with Billy’s coat over him like a blanket.
He definitely doesn’t mention it when he creeps around sleeping bodies and out the front door. Or when he settles the coat, folded carefully, against the hood of the Camaro when he sees it lining the street with all the other cars.
***
The third time happens because Dustin is a dumbass who can’t wake up in time or remember his winter gloves or his winter coat. February has set in and there’s a storm around the corner and Steve cares.
So he gives the kid his coat and dares the weather with nothing but the dumb, cable knit sweater his mom gave him for Christmas when he climbs out to head into school. He’s blowing into his hands even after he’s shoved through the double doors, face and ears red from the short jaunt, and his skin prickles a little as the heat of the building hits him.
He waves at Nancy and Jonathan when he sees them. Flips Tommy off with a grin when he shouts something at him. Runs headlong into Billy Hargrove before he can even make it all the way to his locker.
His hands are still fucking freezing.
“You’re a public fucking menace, Harrington, christ.” Billy scoffs and shoves a pair of mittens against his chest. “You’re the fucking point guard, for fuck’s sake.”
“Worried about my hands, Hargrove?” Steve asks, wiggling his fingers into the ratty wool mittens, sighing at the heat, and laughing when Billy shoves at him.
“Worried about winning, Harrington.” Billy says, and he sounds mean, but he’s grinning a little too. “Championship’s next week.”
It’s hard to always hate someone who you play ball with on a daily basis.
“So you like to remind me,” Steve says.
Billy squints at him, presses two fingers against his chest, and pushes a little. “Because you’re such a fuckin’ airhead, pretty boy.”
Steve slaps his hand away, smile fake and saccharine and drippingly sweet. “You say the nicest things, Hargrove.”
Billy barks out a laugh and shoulders by. “Bring your a-game today, Harrington. Or I’m laying you out flat at practice.”
“Get in line!” Steve hollers after him. “Tommy’s got first dibs.”
He hears Tommy’s cackle as he walks away, hands warm, and heads to his locker.
***
The fourth time is when they win.
There’s a bonfire by the quarry. One of the cheerleaders is shaking, so Steve gives her his coat because he’s nice like that and she’s making big eyes at him, and Steve is making eyes right back at her up until one of his teammates spills beer all down his shirt front.
“Danny, you dick,” Steve spits, and Danny’s already apologizing, but the cold is like a slap to the face, and Steve can’t just ask for his coat back–
The buttery heat of leather drapes over his shoulders. Steve looks over at Billy, sees him grinning in wicked amusement, firelight on his face and in his eyes, and Steve shoves at him before shoving his arms into the sleeves.
“Thanks, asshole.” Steve says.
Billy offers out his pack; he’s been in a good mood all night. Winning looks good on him.
“You look like a fuckin’ wet cat, hissing and spitting like that, King Steve.”
Steve plucks a cigarette free. Lets Billy light it for him, and grins around a mouthful of smoke.
“You like watching me suffer.”
Billy shrugs. “You’re not wrong.”
Steve doesn’t give back his jacket all night.
***
The fifth time is the kicker.
He’s not sure when exactly he and Billy stopped being teammates-who-kind-of-put-up-with-each-other and instead became guys-who-kind-of-hang-out-sometimes-while-babysitting, but he thinks they’re friends, now, or some shit.
Steve’s standing out in the cold. The last of winter is still clinging on tight, tooth and nail, fighting the coffin of springtime. The arcade is a beacon of light that Steve refuses to walk into.
Last time, Dustin made him play some stupid game he kept losing at, and he refuses a repeat performance. Lucas still won’t stop giving him shit for it.
He also doesn’t want to waste the gas, lingering in the heat of his car, so he’s huddled and cold outside of it until the little idiots come out. He’s just supposed to pick them up and drop them off, nothing he expected to be standing in the cold for, but they’re late, like usual, so here Steve is.
But then the Camaro pulls up and the engine is dying and Billy’s stepping out, tossing Steve his lighter, like it’s a habit to share a smoke with him while they wait to collect the rugrats. Which, yeah, it kind of is, these days.
Steve eyes him as he lights up, trying not to bite into the filter of his cigarette when his teeth try to chatter out of his body again, shudders rippling through him as Billy leans up against Steve’s Bimmer like he belongs there. Guy’s got no personal boundaries.
But he looks cozy. Warm in his layers and his gloves and his jacket. Breathing out smoke and watching his breath fog in front of his face. And Steve is cold. Thinks– maybe, just maybe– Billy’d be willing to offer him a scarf or his gloves or something if he asks.
Thing is, he’s never asked before. Billy’s just usually– rolled his eyes and thrown shit at him and called him dumb.
“I’m fuckin’ cold,” Steve says, tries, and blinks as Billy rolls his eyes, unwinds the scarf from around his neck, and tosses it at Steve.
“Dumbass,” he says, grinning and smoking and leaning there looking maybe a little fond, and–
And it’s not much, but it’s something.
this might be the most savage response i’ve seen to an anti and I fucking love this person for it
AO3 updated their filters and I’m so shook???
I love this so fucking much, you have no idea. Thank you, AO3. This made my day way better, and my life so much easier.
Send me a # (questions for OCs) or a letter (questions for creators) and I’ll answer
QUESTIONS FOR YOUR OCs
What’s the maximum amount of time your character can sit still with nothing to do?
How easy is it for your character to laugh?
How do they put themselves to bed at night (reading, singing, thinking?)
How easy is it to earn their trust?
How easy is it to earn their mistrust?
Do they consider laws flexible, or immovable?
What triggers nostalgia for them, most often? Do they enjoy that feeling?
What were they told to stop/start doing most often as a child
Do they swear? Do they remember their first swear word?
What lie do they most frequently remember telling? Does it haunt them?
How do they cope with confusion (seek clarification, pretend they understand, etc)?
How do they deal with an itch found in a place they can’t quite reach?
What color do they think they look best in? Do they actually look best in that color?
What animal do they fear most?
How do they speak? Is what they say usually thought of on the spot, or do they rehearse it in their mind first?
What makes their stomach turn?
Are they easily embarrassed?
What embarrasses them?
What is their favorite number?
If they were asked to explain the difference between romantic and platonic or familial love, how would they do so?
Why do they get up in the morning?
How does jealousy manifest itself in them (they become possessive, they become aloof, etc)?
How does envy manifest itself in them (they take what they want, they become resentful, etc)?
Is sex something that they’re comfortable speaking about? To whom?
What are their thoughts on marriage?
What is their preferred mode of transportation?
What causes them to feel dread?
Would they prefer a lie over an unpleasant truth?
Do they usually live up to their own ideals?
Who do they most regret meeting?
Who are they the most glad to have met?
Do they have a go-to story in conversation? Or a joke?
Could they be considered lazy?
How hard is it for them to shake a sense of guilt?
How do they treat the things their friends come to them excited about? Are they supportive?
Do they actively seek romance, or do they wait for it to fall into their lap?
Do they have a system for remembering names, long lists of numbers, things that need to go in a certain order (like anagrams, putting things to melodies, etc)?
What memory do they revisit the most often?
How easy is it for them to ignore flaws in other people?
How sensitive are they to their own flaws?
How do they feel about children?
How badly do they want to reach their end goal?
If someone asked them to explain their sexuality, how would they do so?
QUESTIONS FOR CREATORS
A) Why are you excited about this character? B) What inspired you to create them? C) Did you have trouble figuring out where they fit in their own story? D) Have they always had the same physical appearance, or have you had to edit how they look? E) Are they someone you would get along with? Would they get along with you? F) What do you feel when you think of your OC (pride, excitement, frustration, etc)? G) What trait of theirs bothers you the most? H) What trait do you admire most? I) Do you prefer to keep them in their canon universe? J) Did you have to manipulate or exclude canon factors to allow them to create their character?
So on the Coco discord I was asked if I could make a post about everything canonically known about the twins in-movie/from the junior novelization and while I didn’t forget, real life punched me in the gut and I’m just now getting around to it… 🙃 sorry it’s so late!
Most of this is from the Coco: A Story about Music, Shoes, and Family junior novelization, which you can find in several different formats in the link above (in the US, at least). There’s even an audio book version! It’s sad that we didn’t get more Rivera family interactions in the movie, but obviously there wouldn’t have been time for all that while still trying to focus on Miguel’s journey.
Oscar and Felipe are identical twins, and Imelda’s brothers (No real word yet as far as I know about age differences or order, but most of the fandom seems to headcanon that Imelda is the oldest, and the twins are roughly somewhere between 4-8 years younger than her.)
We can assume the gene for twins is a Rivera genetic trait, since Berto and Carmen have Benny and Manny. Oscar and Felipe show a preference for them, calling them los cuates and asking Miguel about how they’ve been during the past year while crossing the bridge.
Throughout the novelization the twins are shown to be innovative, both in present day and in Coco’s flashbacks. They carry duct tape (and presumably other supplies) around with them in their aprons; Oscar uses it to patch a man’s ragged shoes in Shantytown. Felipe uses his shoehorn to pry open the revolving door after the family gets stuck in it chasing Miguel.
They were proficient enough with shoes that they started trying new inventions with them: In Coco’s flashback, we learn that she treasures their efforts, even though they never quite work;
…but some were totally useless or odd because her uncles often tinkered with new designs. They once made cleaning shoes with thick bristles on the soles for scrubbing the floor while walking, but the bristles went flat as soon as the customers took their first steps. Another time they made boots with pockets for storing keys and money, but no one wanted to reach down to their shoes when reaching into their coats or purses was easier.
“You are not inventors. You are shoemakers,” Mamá Imelda told them, throwing away the bad designs. But Coco loved the shoes and the playful imagination that they represented, so she rescued them for her collection. She smiled every time she saw her uncles’ failed experiments, though she never wore them. She preferred to wear strappy heels because they showed off her painted toenails.
Another flashback shows that the twins made toys out of shoes for Elena and Victoria when they were little girls, to keep them from going to waste. It’s clear that, between Coco and then her children, the twins are good with kids (or at least know what they like). There’s no mention of them with Coco’s grand-kids, so it’s assumed that they died before Berto was born.
Everyone played a role in their care, even the uncles who made toys out of shoes that, for some reason or other, didn’t pass Mamá Imelda’s inspection. One time they put wheels on a pair of wingtips so the girls could push them around like toy cars. Another time they added long straps to ankle boots, and the girls carried them like purses. When they made slippers for the girls, they used buttons and ribbons to add faces, and instead of wearing them, the girls used them as dolls.
They ask Miguel on the way to find Mamá Imelda about Velcro: more specifically, which one he prefers. They say that since he’s undoubtedly had experience with both, he should be an expert on the subject. And Velcro wasn’t around when they were alive, but now it’s everywhere. So, which is better: Velcro, or laces? (Miguel really doesn’t know how to answer this, so he just says that he’s not sure.)
They don’t like sharing things with each other– or at least, they like keeping their identities and possessions as separate as possible. There are a few instances where this happens.
In Coco’s first flashback, they lay down their needles at the same time and can’t remember which is which. They decide to measure the needles, but they’re the same length. Finally, Coco “…knew this discussion would last all day,” so she just hands it to them. They take her word for it.
Later, Imelda does the same with their kneecaps after they fall out of the revolving door at the Dept. of Family Reunions. Felipe asks if it matters since they’re identical, but Oscar reminds him that they don’t use the same underwear and toothbrushes just because they’re twins.
They also insist, at different times, that they’re actually two very different people. Usually they fall into a pattern, comparing themselves to hammers and mallets, scissors and saws, heels and flats, wood and rubber, etc. until someone shuts them up (usually Imelda).
They’re prone to getting into accidents, or at least falling apart more than the rest of the family. (A personal headcanon on this is since the family can’t tell their photos apart, they’re remembered… but just not as well as other family members.)
There’s even a moment in the novel when one says (after falling from the rafters of the rehearsal stage and getting scattered everywhere) that “Even now… I can’t tell whether I’m Oscar or Felipe.” This might have been for comic effect, but since they were talking to Victoria there’s a question on how funny she would have found it.
It’s a running gag that even in the family, it’s hard to keep up with who says what when they’re both talking. They pick up on each other’s sentences and talk so fast that even Coco, as a fifteen year old girl, gets confused by them easily. Imelda seems to be the only one that doesn’t have a problem knowing which twin said what.
Like in the movie, the twins show an affection for their sister in the novelization. They live with her when Coco is growing up, they are the ones who frantically explain that she can’t cross over, and when she breaks down after losing Miguel a second time (afraid that he’s going to run out of time and be stuck as a skeleton), Oscar is the first one to comfort her with a hand on her shoulder.
According to the novel, it was Oscar’s skirt that Dante was hiding under when they all dressed as Frida Kahlo. (just one of those Jeopardy answers, I guess)
That’s actually all I have canonically. If I’ve forgotten anything, feel free to add on or send me a message and I’ll edit it!
It’s okay to take a break.
– We all need time to recharge, and your fans will still be there when you get back!
It’s okay to go from fandom to fandom.
– Nobody is going to criticize you for following your muse, and if they do, then you know who not to associate with in the future!
It’s okay to have a niche.
– If smut is where it’s at, then write smut. If you’re all about the fluff, then schmoop away. If angst is what does it for you, then invest in tissues. Nobody has the right to tell you that you should be doing something else if that isn’t what interests you!
It’s okay to be critical of your own work.
– Just don’t allow yourself to become so self-deprecating that you freeze!
It’s okay to ask for help.
– If you’re unsure of a trope, concept, fact or universe, reach out to your circle of friends. Chances are, they’ll be more than happy to help you because they want to see you succeed!
It’s okay to ignore criticism.
– Constructive criticism is only constructive if it helps you. If someone says something that doesn’t assist or improve you in any way, then please feel free to ignore whatever nugget they are imparting, because chances are good they don’t have the best of intentions for you!
It’s okay to stop writing all together.
– Your fans will miss you (and chances are good you have way more than you realize,) but sometimes, you just gotta do you!
It’s okay to write with whatever method works for you.
– Long writing marathons where you bang out 12,000 words in one day? Great! Linear, dry style that means you occassionally get stuck because you can’t figure out this scene, but it’s all worth it in the end? Rad! Piecemeal work that you thread together at the end? Fabulous! As long as it works for you, there is no wrong way to write!
It’s okay to have fun.
– I think this goes without saying, no? But it seems that sometimes, authors need permission. So consider this permission to wile the hell out, and enjoy the ride!